Talaash: In Search of what lies within !

Let me begin with the pledge not to disclose the climax of Reema Kagti's "Talaash". I shall not ! Reviewing a movie as complex as "Talaash" is a tough job. It is a Suspense Thriller, a Psy-Fi Drama, a Supernatural Thriller, a Family Movie about relations and a first of it's kind in Indian cinema when it comes to the professional touch.

Let me not bother about the story at all because I want people to watch it and understand. Let me deal with characters instead as I would prefer to do most of the times.

Aamir Khan is Inspector Shekawat, a disturbed soul carrying the guilt of seeing his 8 year old son drown to death for which he holds himself responsible. He can't sleep and he talks to himself and people find him weird. But he believes his wife is suffering from depression and needs treatment and insists on her getting treated. He sees his own guilt reflected in the eyes of his wife [Rani Mukherjee] and their marriage is slowly and steadily collapsing. Aamir is absolute topnotch.

Rani Mukherjee plays Roshni Shekhawat, the mourning mother worried about her sleepless husband. She finds solace in a soothsayer Freny [Shernaz Patel] who brings her in contact with her dead son. The husband hates this and this further complicates the matter. A deglamorized Rani is as good as she always is.

Kareena Kapoor is Rosy, the most brilliant part of the movie. As the gorgeous and mysterious hooker spouting philosophy, she has reached the peak of her career. She bewitches the viewer and leads Shekhawat through the trail of an extremely difficult case declared to be open and shut accident case.

There are a host of characters who contribute to the narrative. But Nawazuddin Siddiqui playing Tehmoor is absolutely brilliant. He is the highlight of the movie. Raj Kumar Yadav is efficient as Aamir's understudy. Every single actor including the old lady walking through crowded South Mumbai roads looks the part. Well, even the dog in the opening sequence is brilliant.

It all begins with the "Accidental" death of a Bollywood Star Arman Kapoor [Vivaan Bhatena] and the investigation into the high profile case. The screen-play credited to Reema Kagti and Zoya Akhtar keeps dropping enough hints throughout to keep us guessing. Dialogues credited to Farhan Akhtar and Anurag Kashyap are simply straight and real time.

Ram Sampat's music is just right for the kind of movie this is. Editing [Anand Subaya] is of international standards. Quality of production and technical aspects are brilliant. On the whole, "Talaash" looks like a Hollywood thriller made in Hindi.

The flip side of the whole affair is Reema Kagti has left a lot for the viewers to think, imagine and correlate. The climax is not the kind of "Dhamaaka" the Indian audience loves where the "Hero" solves the mystery, throws a few punches and punchlines and walks in slow motion to a thundering applause. This is all about "search for what is within". Though I may not agree with the soothsayer and Rani talking to dead son parts, those parts have been shot brilliantly and don't jar.

My Opinion: Compulsorily take your brains to watch this one. If you're not following every moment with an analytical mind, you'll perhaps miss the plot and then feel bored. As I left the hall with the satisfaction of having watched one of the finest thrillers made in Indian cinema, I heard some people complaining about having wasted over 2 hours in "Talaash" of a "Laash" !

The 22/7 about "Life of Pi"

Let me begin with disclaimer: I haven't read the novel "Life of Pi" and hence am not enamored by it like some of my friends were, when I went to watch the movie. I went because they said it is great. So here is what I felt...

The Catch 22...

1] Hollywood is Hollywood: Amazing picturization.

2] Animals: How do they get them to perform ?

3] Tabu: Am I happy to see her ?

4] Adil Hussain: Where was he before English Vinglish unleashed him like never before ?

5] Suraj Sharma: Had problems with his assignments at school. But, boy ! He's done a magnificent job with this one !

6] CG: Computer graphics are of the highest order.

7] The Pacific: Becomes a character in the movie. If Water World bored us, this one gives hope...

8] Hope: An amazing feeling that keeps us alive, shown in the best ever manner !

9] Irrfan Khan: I am a Fan of this Khan !

10] Yann Martel: What a novel it must be, one for my kart !

11] Ang Lee: Amazing ability to get into the story.

12] Characterization and continuity: How Pi and the Tiger look progressively emaciated through the journey is handled with amazing care.

13] Story inside the story: The second story told by Pi to convince the Japanese officials is quite symbolic of the animal instincts inside us !

14] Mathematics: For someone who loves Maths, I loved the name Pi and the evolution of Pi.

15] Determination: To get rid of the tag "Pissing", the little boy shows the determination to write the value of "Pi" or 22/7 that covers 3 black boards. That determination is what saves him in the end !

16] Bonding: How the boy decides to develop a bonding with the tiger and trains him is shown very well.

17] Orange Juice: What a cute 'Mother' Pi found for him self in his 'other' story.

18] Narration: Irrfan Khan's very Indian narration with occasional accent augurs well.

19] Carnivorous island: Almost 'Avatar' like floating island shown in 2 beautiful shades of day and night. Symbolic of the good and bad.

20] Thunderstorm: A fantastic picturization of nature's wrath and how it plays.

21] Piscine Molitor: The most beautiful swimming pool in the world after which the protagonist was named.

22] Richard Parker: What a magnificent creature this Royal Bengal Tiger is !

And the 7 I didn't catch...

1] Patel family speaking Tamil is something I don't know, even if they live in Pondichery, I can't really understand that !

2] Religions: Well, the author must have wanted to strike a balance between all religions and thus Pi Patel follows all religions and believes in all Gods as if those 33 crore gods his original religion foisted on him weren't enough.

3] Animals have souls but not emotions: Tell that to your dog and see how bad he'll feel. I know they have emotions and have seen that !

4] Tee shirts: Pi Patel is seen wearing some tee shirts which were not really existing in India of 1970s. A little bit of goof up there ?

5] God: If god is the one who saved Pi Patel, then god is the one who killed his family and many more. Why did god do that ? I have yet to find an answer to this question even in real life !

6] Anandi: Sravanthi Sainath has such gorgeous eyes, I would've preferred to drown in them if I were Pi Patel. That would've saved him from a lot of suffering during his ordeal. But there is very little of those beautiful pair of eyes.

7] 3D effects: Perhaps I was looking for "Pi in the Sky" but I was disappointed by the lack of 3D effects in certain places in the movie.

But 22 out-weighs 7 by 3.1428571428571 times !

A beautiful cinematic experience nevertheless and is strongly recommended for family viewing !

Ayaalum Njanum Thammil [Between him and me]

Ironic it is for sure that Prithwiraj has decided to move to Bollywood. We saw him in the moronic "Ayya" with over the top and also downhill Rani Mukherjee and then we see him in fantastic form with the equally magnificent Prathap Pothan in Lal Jose directed "Ayaalum Njanum Thammil" [Between him and me].

Lal Jose seems to be in a mood to explore the medical field. If he dealt with the extravagant young Oncologist learning his lessons in life in "Diamond Necklace", here we have an irresponsible spoilt brat of a young Doctor going through the travails of life to turn into a great Cardiac Surgeon.Well, I am not complaining because he has given us a beautiful movie that makes us sit up, take notice, enjoy, think and then return with the pleasant feeling of having seen an earnest movie. 

The story revolves around the coming of age of Dr. Ravi Tharakan [Prithwiraj] with the able guidance of an upright and dedicated senior Doctor Samuel [Prathap Pothan]. I wouldn't like to deal with the story and spoil the thrill because I want everyone to watch this movie.

The story is narrated in multiple flashbacks with flashbacks inside flashbacks causing a little bit of a problem early in the first half. But things move smoothly, once we realize the technique. The lighting sometimes gets ridiculously dim and from a Doctor's point of view, I wouldn't accept that. But otherwise, Lal Jose has done his homework thoroughly and deserves all the credit for handling the technical aspects and medical language very well.

The camera work, music and back ground score gel very well with the mood of the movie though the movie could have done very well without songs. Munnar becomes an independent character in the movie. It was only a background for song and dance sequences in most movies hitherto. The silent breeze, the noisy wind, the unpredictable rains and the fog are used with stunning effect to suit the different moods of the character of Dr. Tharakan. And in the climax, we see a pleasant and contented Dr. Tharakan ruminating over the place that made him what he is !

Narein as Ravi's close buddy Vivek, Rima Kallinkal as the lady who puts together the jigsaw puzzle of the story and Ramya Nambeesan as his conscientious colleague have given wonderful performances. Kalabhavan Mani too has given a very good account of himself. Samvritha Sunil as Dr. Tharakan's junior and girlfriend is a little subdued. Sukumari as head-nurse and Salim Kumar as the Cirrhosis patient making a living thanks to his disease are good too.

But the movie belongs to Prathap Pothan and Prithwiraj and both have given stupendous performances. It is as if each has brought out the best from the other and in that sense, the title works beautifully. It is truly between these two. I'd be disappointed if Prithwiraj doesn't win the State Award for best actor for 2012. Well, tough competition for Lal [Ozhimuri] there. He also deserves at least a nomination for the best actor at national awards. Same for Prathap Pothan.

My Opinion: A wonderful movie and a must watch for all Malayalees who love their language and their cinema !

Post Script: I end this piece from where I began. 

Dear Prithwiraj, it is understandable you are quite peeved with the enormous negative vibes, hate campaign and bad press you have received in your home state. But the truth is you will be a misfit in Bollywood and Malayalam cinema needs you as much as you need Malayalam cinema. Public memory is fickle and nobody or nothing can suppress your talent if you continue to work in movies like this. Stay back !

English Vinglish: Triumph of will over ill

I am not being "judgmental" when I say, there are two types of people in this world. Those who think they can't speak good English and those who think they speak good English. Shashi [Sridevi in a stupendous comeback] the protagonist in "English Vinglish" belongs to the first category. She suffers in silence, all the repeated humiliation heaped on her by her self-centered husband and arrogant little teenaged daughter who belong to the second category.

Gauri Shinde has not only brought Sridevi back with a bang but she has given us a movie we can relate to. In reality, all of us are either Shashi or her family members. There are no menacing villains, no scheming mothers in law and certainly no big time melodrama. This is one movie so charmingly real in content, execution and presentation that it is bound to stay with us for very long.

What a person, especially a lady has to face in everyday life if good spoken English is not his or her forte is the premise of the movie. All the insults, subtle humiliation and constant taunts Shashi faces through the movie are completely real life. Her muted reactions each time too are natural. She finds solace in making snacks [the best ladoos in the world] and her husband finds even that to be below his dignity.

Ironically, Shashi finds her biggest turning point in life with an event which she dreads at the first mention. Going to 'The' United States of America from 'The' India alone with a 100 passengers ! Going there to help her elder sister with preparations for the wedding of her elder daughter, Shashi ends up in a spoken English course in the big apple.

"Mind your language", the learn to speak English in 4 weeks course brings together a bunch of funny people like a French Chef, a Tamilian Techie, a Pakistani driver with sex on his mind, a Spanish nanny, an African who rarely opens his mouth in a spoken English class, a Chinese hair stylist and a gay teacher.

Beginning a journey that runs parallel to the preparations for the wedding of her elder niece, Shashi finds an able support in her younger niece Radha who helps her through the journey. What she manages to do is shown in a steady manner with the adulation and unabashed love of the French Chef Laurent becoming a stepping stone rather than a hurdle for her success.

There is a brilliantly conceived scene of  Shashi giving went to her hurt when her teenaged daughter shouts at and humiliates her over the phone. She keeps ranting in Hindi and the French Chef Laurent understands her hurt without understanding a single word. And then she gives a perfect order in English at the coffee shop without even realizing it. Laurent points it out to her in a subtle manner.

This scene actually tells us a simple truth. Faced with the task of making ladoos for the entire wedding party all over thanks to her little son's pranks, she doesn't flinch and sets out with complete confidence in her ability. But acts like flying abroad alone, boarding a train in New York or speaking in English intimidate her.

We create a barrier around us worrying about facing ridicule from others. We crave for appreciation or acceptance for what we do when it is not our strength. A lady who has magic in her hands worries about the reaction of people when she has to speak in English. But when she isn't bothered about any reaction or appreciation, she speaks the correct English.

The climax has to be a speech in English. And this is the highlight of the movie because it is not the fluent and heavily accented American English that we get. It is the honest, hard working and true to character Indian English in which Shashi delivers her speech. In that moment, there is the catharsis of all the pent up angst, humiliation and hurt. But instead of blaming her family, she lifts them up along with her self-esteem. She shows no ill-will towards anyone simply because she loves her 'family' about which she speaks to the newly wed couple. Truly a triumph of will over ill !

Entire cast has done a wonderful job but Adil Hussain as the obnoxious husband, Priya Anand as Radha and Mehdi Nebbou as Laurent are wonderful. And how can we forget the cantankerous old man who 'guides' Shashi through her first flight and beyond the New York airport ? R. Balki can't make a movie without the Bachchan.

Gauri Shinde's "English Vinglish"  is a cute, life like, honest and feel good movie. Sridevi excels in spite of what looks like an overdoes of botox around that once famous pout. Dialogues rock and Shivansh Kotia as Shahsi's precocious little son Sagar is a riot.

What we see is a very competent handling of a subject that could've been over dramatized and spoiled. They could have made horrendous people popping out from every corner insulting Shashi. Any other Director would have brought in the other parents in her daughter's school lampooning Shashi. And then finally they could have made her avenge all that with a smashing speech in Queen's English with an accent so heavy, that Sridevi could have actually danced on it to "Mere Haaton Me Nau Nau Choodiyaan Hai" !

But thankfully what we get is a down to earth movie that doesn't blame anyone or any culture and stays true to the subject. In short, it doesn't get "Judgmental" !

My opinion: Wholesome sweet "Ladoo" for the entire family. Go for it !
And "Thank You Gauri Shinde for a memorable movie experience !"

Barfi: Aptly Sweet !

I went to watch "Kites" because it was so hyped with Hritik Roshan in the lead. I was devastated by the movie. Just couldn't relate to it. So I was a bit negative about "Barfi" knowing it was directed by Anurag Basu. Good reviews even by habitual Bollywood bashers gave me some confidence to watch it. It took me almost a week to write this review because the movie really took some time to sink in !

The story is narrated mostly by Barfi's [Ranbir Kapoor] one-time lover Shruti [Ileana D'Cruz] and by the Police officer played by Saurabh Shukla using multiple short flash-backs. It takes quite some time to settle down with the happenings. But it doesn't slack at any moment.

It is a story of a hearing and speech impaired Burfi [originally named Murphy] who falls in love with the beautiful Shruthi and then loses her due to the gulf of class between them. It also is the love story of Burfi and Jhilmil [Priyanka Chopra] an autistic heir to a huge wealth owned by her maternal grandfather.

Time and again Shruti fritters away opportunities to attain her love. But she is an inherently nice girl and helps Burfi to reach his elusive love. A lot happens through the 16 reels at break neck speed even though we feel the movie moves at a leisurely speed.

Anurag Basu plays to the gallery using some endearing tricks like the hand of sleight in the painting scene. He also uses extreme symbolism when Burfi's bicycle breaks with a wheel getting separated as we see Shruti leaves Darjeeling railway station.

Accused of kidnapping and murdering Jhilmil, how Burfi establishes his innocence and how we reach the climax has been beautifully established. Saurabh Shukla has given a stand out performance and so has the entire supporting cast that includes Rupa Ganguly.

Ileana D'Cruz is absolutely beautiful and has given her best performance to date as Shruti. Priyanka Chopra is super-efficient in a somewhat inadequately researched role of autistic Jhilmil. But let us all stand up and applaud the arrival of a truly magnificent actor in Indian cinema. He was quite cool and efficient in his earlier movies including "Raajneeti". But this performance by Ranbir Kapoor straightaway elevates him to the class of people like his own grandfather Raj Kapoor, Kamal Hasan and such all time greats.

The camera work, back ground music and other technical aspects are top notch. Anurag Basu definitely deserves all the kudos he has been heaped upon since 14 September. We leave with a pleasant smile on our lips because the movie spreads happiness like the protagonist who is happy at all costs in spite of all the deficiencies and misfortunes, without ever blaming anyone.

My Opinion: A must watch. Even those who don't like the way the story unfolds will not be able to resist the charms of Ranbir Kapoor. A truly special performance!

"Ozhimuri" : A Document of Resurrection !

A Document of Resurrection !

What did I feel while watching Madhupal's poignant "Ozhimuri". Even as I felt amazed by the story, Direction and fabulous performances by the star-cast, I actually felt sad. What was Shweta Menon doing all those years of her prime, acting in C-grade Hindi movies ? In the past 3 years or so, she has dazzled Malayalam cinema like very few people have and here she once again proves her versatility. 

"Ozhimuri" is the story of a 55 year old lady Meenakshi [Mallika], who files a petition for separation from her 71 year old husband while her son Sivan Pillai aka Sharat Chandra [Asif Ali] stands by her. The junior advocate Bala [Bhavana] fighting the case for the husband Thanupillai [Lal] tries to convince the teacher son to withdraw the case. 

The story is constructed with a series of flash backs narrated by either Sharat or Meenakshi interspersed with court room proceedings. There is realistic touch to the proceedings. The Kanyakumari background fits the story because of the Tamil - Malayalam cultural clashes becoming the subject of discussion in a subtle manner.

A movie unravels the story of a man shown as one who beats up his wife and son for no reason and is shown as cruel and heartless. The wife, who is seeking divorce or "Ozhimuri" never once blames him of being a bad man. She in fact admits he was a great father. The son, who openly hates the father gradually comes to realize his inner feelings for his father. In the process, love blossoms between advocate Bala and Sharat.

How the dominating Matriarch Kaalipillai, played with absolute elan by Shweta Menon becomes responsible for the entire happenings forms the crux of the story. One more feather in her cap. But the movie definitely belongs to Lal who plays the henpecked wrestler Sivan Pillai and his woman hating son Thanupillai and is a serious contender for a lot of awards this year. He is just magnificent in every single frame.

Mallika plays perfect foil in a landmark movie of her career. This role will be remembered for long. Bhavana excels as Bala and Asif Ali would be another contender for supporting role awards. Nandalal as Thanupillai's side-kick gives another splendid performance after "Spirit". 

There is light-hearted yet completely realistic reference to the traditions of the Nair society before and after the reforms. How most houses did have wife-beating husbands also is shown in a matter of fact revelation by Bala. Though the younger Bala advocates restraint and reconciliation, the older lady Meenakshy wants separation even after admitting her husband was not at all a bad man. 

The final realization of the reason for "Ozhimuri" comes across as a real clincher. We get to see a witch of a woman refusing to believe her son refused to see her when the Sun was setting on her. It shows us how a man who detested his mother all life breaks down after performing her last rites. 

There is a son scared of becoming like his father and his girlfriend who tells him that he is not different from his father and that there was nothing wrong with that. The domineering mother-in-law's affection for the naive and good at heart daughter-in-law is shown beautifully. And finally, it shows the daughter-in-law who always admired and respected the mother-in-law finally realizing her words, "A woman must never surrender her self-respect to a man".

This is one of the most outstanding stories told on celluloid in recent times and Madhupal has made a superb "document of resurrection". It resurrects the life of a father and a husband and a son and a wife. In the process, it also resurrects Malayalam cinema from "Mr. Marumakan" and "Cobra". A subject as complicated as 'Divorce' of an elderly couple is told in a real life manner with very little dramatization and the movie doesn't slack or bore at any time.

My Opinion: Those who don't understand Malayalam and the cultural ethos of Kerala may not relate to this movie. But every Malayalam movie lover MUST Watch this ! 

Raaz-3 : 3 Times Repulsive !

3 Dimensional Rubbish !

Let me begin with a truth about Bollywood Heroines of today. 
There are only 3 kinds of Girls in Hindi Cinema today.
1] Those who have been smooched by Emran Hashmi !
2] Those who have kissed Emran Hashmi !!
3] Those who have not acted with Emran Hashmi !!!

Raaz-3, Vikram Bhat's latest 3-Dimensional Horror movie is indeed a Horror ! It seldom scares, it horrifies the viewer with complete repulsiveness. Raaz-3 is a Ramsay meets Manmohan Desai meets Vikram Bhatt movie that comes 35 years too late. Let me go into the details about the story, screenplay, Direction and such fundamentals and let me tell why it is repulsive.

1] For God's Sake: Emran Hashmi buries an idol of Ganesha on orders from Bipasha Basu. He assists her in terrorizing Esha Gupta with black magic. Then he falls in love with the tortured Esha. He realizes his only chance of saving his love lies in exhuming the buried God. Out comes the God and we know the Hero can't lose now. Mr. Bhatt, this is 2012. Couldn't you find any other plot to scare us and then deliver us ? 

2] God's must be crazy: Esha has usurped the Hindi Cinema's Numero Uno position from Bipasha. And with that, all the major projects and awards. Bipasha takes revenge on her half-sister by subjecting her to a lot of torture. But her master-stroke turns out to be driving Esha crazy and forcing Esha to strip before a party full of filmy people and the media. All of a sudden, all the producers who were after Esha because Bipasha was a spent-force, come back to sign Bipasha. Is Indian cinema so bereft of Heroines ?

3] Godawful idea: Bipasha meets a ghastly looking exponent of black magic who tells her he is actually dead and Gods are not allowed in his world. He then helps her to wreck havoc on Esha and also the viewers. And then he invites her to do what a living woman does with a living man in what must be rated as one of the most repulsive scenes ever in any Cinema. 

Without ever watching one, I can say a Santhosh Pandit movie couldn't have been worse. Tying the soul of Esha with a chain in another world and Emran actually trying to break the chain and bringing her back with the help of a "White Magician" is unintentionally hilarious. 

There is a classic scene of a mouse releasing the curtains from a Ganesh Temple while Emran Hashmi is fighting the evil in the other world. This would have looked silly in 1970s in a Manmohan Desai movie but perhaps would have worked.

Emran, Bipasha, Esha and all others try their best to 'act'. But what can any actor do if the whole movie sucks like the corpse Bipasha agrees to make love to ? And to make matters worse, the 3 D effects get on our nerves during the completely unnecessary songs. 

Raaz-1 had fabulous music and it did work to a certain extent. Raaz-2 won mainly because of a decent scare-quotient. All the hot scenes, kissing, smooching, stripping and skin show won't be able to save this one ! Time for some "Soul-Searching" Mr. Bhatt, this is your worst to date !

My Opinion: After paying a hefty sum for the tickets and suffering this repulsive movie, I am three times angry and would put it as: Naa-Raaz-3 !

Run Baby Run: Slightly Premature Delivery !

This Baby Doesn't even walk !

Let me first state this, Joshiy's "Run Baby Run" with Mohan Lal and Amala Paul is a big hit already and my opinion isn't going to make any difference on the out come of the movie. Not even an ant bite. Yet I have to say, this one promises a lot in the beginning and delivers a slightly premature Baby in the end.

The plot is a give away from the beginning. It is "Grand Master" meets "Spirit" meets "Passenger" meets "Patram" plot where Mohan Lal alters between his characters in "Grand Master" and "Spirit" and the plot is "Passenger" and "Patram" combined together.

There is suspense, there are thrills, there is comedy, there is extremely competent acting by the entire cast and then there is one-upmanship between the villains played by Sai Kumar and Siddique and hero played by Mohan Lal. But there are gaping holes in the plot and that is where we come out with a lot of questions.

So what are my points ? Amala Paul on a comeback trail in Malayalam cinema plays Renuka, a brash, overbearing and almost arrogant senior reporter cum decision maker in a TV channel. She also tells the Hero she knows Kalari, which she never told him during their courtship earlier.

And then through most of second half she just stands and watches the hero bash up villains. Forget running, she doesn't even attempt to walk properly. Joshiy probably forgot his heroine was a firebrand and ends up glorifying the cameraman's role played by Mohan Lal. Amala Paul's character promises a lot and ends up being a side kick in the end. That proves one thing. Amala Paul may be a big star in Tamil but she isn't Manju Warrier.

The title too is misleading because forget the Baby, nobody ever runs in the movie. There are neither chases nor thrills but a lot of scheming and sting operations. To give credit where it is due, these scenes have been picturized pretty well and that is why the movie works in the final analysis.

There are some surprisingly glaring omissions in the movie. Most of the characters remain absolutely unchanged during the 5 years intermission; except Vijaya Raghavan who seems to suffer accelerated ageing. That was perhaps due to the stress of a petty case hoisted by an arrogant cameraman.

Biju Menon as Rishi comes across as confused because he doesn't know if he has to appear serious because of a failing channel or if he has to appear funny because he has a funny friend. But he pulls it off because he is such damn good actor.

Technically the movie is good and the song sung by Mohan Lal manages to please his fans. I doubt if we needed it in the movie. It would have been better if we were to have it shorter by about 10 minutes.

My Opinion: Overall, this Baby is definitely a bit premature but still manages to entertain and is a definite welcome for Malayalam cinema starved of a big hit. So be it !

Shirin Farhad ki toh nikal padi

What happens when an established choreographer turned pot-boiler Director turns actor ? Well, she makes everyone dance to her steps. "Shirin Farhad ki toh nikal padi" by Bela Bhansali Sehgal is at once charming, silly, over the top and funny.

Honestly, I went to Cinemax to watch "Ek Tha Tiger". But seeing one of my favorites Boman Irani's latest movie being screened, I chose the meek Farhad over the roaring Tiger. I must say, I am not disappointed.

A mature love story between two people in their 40s is not an everyday happening in Indian cinema. Bela has handled the developments between Farhad and Shirin quite well. The Mom [Daisy Irani], Grand-mom [Shammiji] and Aunts too are handled with great flourish. But then there are characters overflowing and sometimes it appears like a fish-market.

I don't know if Parsis really behave like delinquents in their matrimonial gatherings but I thought the scene didn't go well. The trigger happy man fails to evoke laughter. The Indira Gandhi obsessed old-man, "the asli Firoz Gandhi" too begins to get on your nerves after the initial scenes. Give me those one liners by Mommy and Granny.

The songs too are out of place and mar the pace of the movie. But what lifts the movie is the super bonding shared by Boman Irani and Farah Khan. Farah has just been herself throughout and Boman delivers another excellent performance. Love blossoms between two people hitherto single by quirk of fate and those scenes are handled beautifully.

The idea of Underworld, size 36D and Farhad making himself 'comfortable' in Shirin's house as she prepares "Hot Chocolate" are corny but funny. But the songs in the second half don't help and the parody remains just that, a parody. Still, overall this is a good time pass movie and I am happy I chose it over ETT. Though I don't like Mangola, I love Tea and I prefer romance over action any day.

My Opinion: I doubt if younger crowd would relate to this movie but SFKTNP is a decent one time watch for fun with friends. Especially if you are in your early 40s like me or older !

Inherit the wind (1960)

The right to think and to express ones opinion is on trial in a state where teaching anything against The Bible is a punishable offense. This is the premise of our movie “Inherit the wind.” The movie is an adaption of the play of the same name, and the title comes from the bible verse “He who brings trouble on his family will inherit only wind…” Proverbs 11:29. The main setting of the movie is in the courtroom where two notable lawyers fight for the case. There are some great scenes in the movie, acted out superbly by all the actors. The tension and the thoughts of the common folk on the matter are clearly depicted in the movie.

It happens to all of us, we start believing in our thoughts so firmly that regardless of the validity of the facts presented in front of us against our believe we hold on to it and fight for it. We believe that people should be able to see our point and should think like we do. But that is not the case, we all have our own thoughts and we have the capability to think. This makes us unique and different from each other. Then how can we expect others to think and be like us. It takes courage to admit when one is wrong and move on in life, to be open to new ideas and thoughts. As Aristotle said it “It is the mark of an educated mind to be able to entertain a thought without accepting it.” Regardless of what you believe in remember that everyone has the right to believe in what they want to, forcing someone to accept something unwillingly or punishing them for thinking differently doesn’t quite feel like living our life for the truth.

 

The movie is entertaining on its own right as a courtroom drama; the bonus is the topic in debate. “Inherit the wind” is a movie worth watching.

Regards,

TracerBullet

Release date: October 12, 1960

Running time: 128 minutes

Directed by: Stanley Kramer 

Ustad Hotel: Delicious Old Sulaimani in New Cup !

I had been to Kozhikode last weekend and ordered for a "Sulaimani Chaya" in a modest hotel and was immediately floored by the difference in that tea. I couldn't tell what it was, but the tea in Kozhikode is unlike anything I've tasted elsewhere.

What makes a good movie and what separates one from an ordinary one ? It is exactly like making a "Sulaimani Chaya". It requires a certain amount of "Mohabbat" in it. The grand-father transfers some old world wisdom to his wonder-struck grandson as he serves him a Kozhikode special Sulaimani Chaya with that additional Mohabbat.

Anwar Rasheed arrived on the Malayalam cinema scene with the bombastic "Raja Manikyam" and followed it up with pretty ordinary "Chota Mumbai" and "Annan Thambi". He was also a part of the multi-cuisine "Kerala Cafe" where he constructed "The Bridge".

In "Ustad Hotel" he serves up some time-tested Kozhikode Biriyani and Sulaimani Chaya with same old ingredients but with a better packaging. Anjali Menon’s story of a grandchild coming to live with grand-father due to differences with his father isn't exactly new. The concept of an old, respected institution coming under attack of expansionist / capitalist forces and how the under-dog manages to survive the onslaught against all odds isn't exactly new to us either.

But what is new is Dulqar Salman's refreshing screen presence and his confident yet endearing approach. Veteran actor Thilakan lives another role as the righteous and generous grandfather Kareem-ikka like only he could have managed. Siddique as his ambitious son Razzack is efficient as always.

Nitya Menon has that permanently cute look about her and she sails through the movie with flying colors. Mamu Koya who also narrates the story of Faizal aka Faizee is in his own territory speaking a language he is most comfortable with. Lena, Sija Rose and co deliver decent performances as Faizee's elder sisters in limited scope. Overall the entire cast, including the band has done extremely nice job.

The movie is garnished with numerous one-liners and light-hearted moments that keep it flowing without ever becoming heavy or melodramatic. Asif Ali's "Alla, Amitabh Bachchan" is one such moment. Then there is a moment where a large family with countless children is shown with tongue in cheek humor without ridiculing anyone.

The movie begins with a man's obsession for a son shown with deft humorous touch narrated by the inimitable Mamu Koya. It has a blend of old and new symbolized by Thilakan and Dulqar respectively. Anjali Menon has also borrowed from a real life story of a man who feeds the poor and downtrodden.

There is a moment of genuine beauty when the grandson asks Karim, "Grandpa, why did my father become like this ?". A wistful Karim says, "Because his father didn't bring him up properly". It is both the lament of a father who realizes his own failure in life and the generosity not to blame his son for what he is today.

The story drives home the message with extreme subtlety, that change and progress are inevitable. Your product might be time-honored and good. But unless you change with times and reinvent yourself, you run the risk of becoming obsolete. So the respected yet shabby "Ustad Hotel" gets a face-lift and interiors done to suit the modern times but retains the same old Mohabbat in the Sulaimani Chaya and Karim-ikka's Biriyani as the new generation inherits the hotel.

Music is nice on the ears without being memorable, though "Ammayi Vattaayi poyi" is a rage with the youth. Technically and aesthetically the movie is top notch.

My verdict: Without delving too much into the story anymore, I would say, "Ustad Hotel is a delicious old Sulaimani Tea in a brand new cup served hot and hygienic". Go for it !

Father Goose

A man who ran away from society because society wanted him to appear as everyone else did, in bow tie, coat and suit, but not him. Oh no! not our hero, Walter (Cary Grant) call name "Father Goose". You see for him he thought all that mattered was what was in your head.

The movie is set during the world war 2. Japanese invasion is going on and Walter is roped in to voluteer against his wish to be a lookout for enemy ship and airship movements and report them in to the Allies. 

A drunk, reminded me of Captain Archibald Haddock, but one who knows his way around the group of small islands like no one else. As movie progresses he rescues a lady and 7 female students who are stranded on an island. The plot thickens as the lady and our hero fall for each other and the kids start liking him.

Eventually of course the Japanese find them, of course I won't spoil the climax. A totally entertaining movie. 

Unfortunately I don't have a link for this one either. However, if you do come across it take some time off to watch it and enjoy it.

Regards,

TracerBullet

Holiday

What is important to you in life? What makes you jump up in joy and thank God for this life? There must be something that you see in this world that makes you keep on living. Is it money? Really?

The movie "Holiday" showcases the perspective of a free-spirited man tempted by wealth and riches to compromise his life and his principles. This man happens to be our hero Mr. Case (Cary Grant) who believes in amassing just enough money to go on a long vacation and live his life and ponder on what is important for him. No not when he is old but right now when he is young and able. His fiancee on the other hand a very rich woman believes in stability, wealth, and a comfortable life. This leads to a clash of ideals and philosophies. New characters, some free-spirited and some with strong sense of wealth and money join in and we have an entertaining movie.

I don't know if you get the time to ponder on your life, your wishes, ambitions, the meaning of life, etc. If you don't I would highly recommend finding some time for yourself. Nevertheless, this movie is a classic example of cinema at its finest with characters playing more than their part and a story well written. Sadly I don't have a link for you. But if you every come across this movie do take some time and watch it.

Regards,

TracerBullet

PS: Here is a link where you can read more about the movie if you want to http://www.imdb.com/title/tt0030241/

Penny Serenade

There are only a few movies out there that really grow on you as the movie develops. This is one of those movies - slow, well-paced, thoughtful and touching. The movie works in flashbacks with each record (gramophone record-playing classic songs) forming a basis for a memorable memory in the lives of our leads.

The movie is about love, marriage, friendship, kindness and most importantly about a child. There are scenes that are very well acted and captured in the movie. The supporting actors are a gem and brings the movie to a whole different level of engagement and intimacy.

This is a classic and a gem at it. Here is a link where you can view it on YouTube.

Regards,

TracerBullet 

The Bishop's Wife

The beauty and complications of life makes everyone want for a miracle and sometimes angels do come down to help us through. We know life is beautiful but we spend a lot of our time thinking about it rather than living it. In my view we worry too much and we complain too much, and in the midst of all this we forget to live our life and be happy.

We can live our life and dedicate it to so many causes, we can believe in so many things but to me living for others, having their worries as our priorities and helping selflessly without the need for an acknowledgement is what makes life beautiful, worth living and dying for.

The Bishop's Wife is a movie that makes one ponder what is really important in life. The theme of an angel helping out in the form of a human has been depicted in many movies with great success, this movie is not an exception to this genre. The movie is brilliant and a classic. The movie makes the point that life is meant to be enjoyed, lived to help others and understand them, and above all to trust yourself to be a good person deep inside.

Cary Grant, plays the part of the angel in the movie. The story revolves around a Bishop and his wife. The bishop wishes to build a cathedral but seems to reach nowhere with his wish. The worry turns him into a different person, this makes him pray for guidance and an angel appears, from there on the story develops into a beautiful tale.

The movie was released in 1947 and can be viewed at YouTube

Have a great life, all of you.

Regards.

The Amazing Spider-Man

Before stating my views, let me tell you that I have been a spidey fan since time immemorial, it was only after coming under the evil influence of Tracer Bullet that I got interested in The Dark Knight and his broodings!

Synopsis:  Peter  Parker is a high school teenager, who lost his parents at a very young age.  He has been raised by uncle Ben and aunt May who dot on him.  One day, he comes across a briefcase (that belonged to his father) in the attic, which leads him to Oscorp and Dr. Curtis Conners, who was his father’s partner.  He visits Oscorp to get in touch with Dr. Curtis Conners.  While loitering around prohibited part of the research lab, Peter is bitten by a genetically enhanced spider.  Slowly, Peter Parker starts developing great physical power, along with superb reflexes and agility.  Like a spider, he can cling to any surface.  Being a brilliant science student, he develops inorganic webs that he can shoot from the bands that he wears in his wrist.  Uncle Ben is shot dead by a thug and Peter makes it his mission to catch the culprit.  Along the way, he realizes that his great powers are not just instruments for personal vendetta, but must be used carefully for the greater good of humanity.  He starts to help the police but is not trusted by the captain of NYPD, who also happens to be his sweet heart’s (Gwen Stacy) father.  Meanwhile, Dr. Curtis Conners transmits himself to a giant lizard with super strength and Spiderman must stop him at all costs.  This forms the crux of story.

I was surprised with Andrew Garfield’s emoting skills.  He is really good, better than Tobey in the first installment of Spiderman.  In order to make the rebooted series different, the script has brought in Peter Parker’s parent’s here,  Peter himself is seen reflecting about his parents at the start and at different times of the movie, somewhat reminiscent of Dark Knight Begins, but still the movie does not have the dark mood of Batman.  It retains the sunny spidey spirit.  The stunts and actions of this Spiderman are more in line with the comic version.

Gwen Stacy is also cool, her character is better defined than MJ in the Tobey version.  I did not like this MJ character in the earlier series.  She seemed to love PP because he was Spider-man.  That is not the case with Gwen.  She is quite intelligent and she likes Peter even when he is a normal guy and his being Spider-man perhaps makes him more adorable to her.

Dr. Curtis Conners is not  a run-of-the mill villain here.  It looks like he got addicted to the potion he developed as a part of his research and on becoming the lizard, he was unable to control his animal instincts.

Uncle Ben and Aunt May are good, with many meaningful and witty dialogues between them, but I guess I loved the earlier Aunt  May in Tobey’s Spider-Man more…..

This was the first time I was watching a 3-Dmovie and I was busy analyzing the difference by removing my glasses during the start of the movie.  I guess 3-D effects made the screen seem not limited by the boundary and things seem to pop out of the screen, it was good, but perhaps my expectation was more, so I was not that much impressed…..

Overall, it was a good experience watching the new spidey  and if you are a spidey fan, then do not miss this one for anything……………..

That's The "Spirit" !

A Ranjith movie is something to wait for. I have loved every one of his recent movies from "Paleri Manikyam" to "Pranchiettan" to "Indian Rupee". Hence the coming together of Ranjith and his favorite actor Mohan Lal was worth waiting. But is the wait worth ? Read on...

We have been hearing for sometime about every release of his being Mohan Lal's come back vehicle as if he had gone on a long distance journey to moon. I used to find it funny because the actor was churning out one insipid movie after the other. But here he makes his presence felt in a strong manner in what I rate as his best performance since Kamal's "Ayaal Katha Ezhuthukayaanu". Mohan Lal the master of histrionics is definitely at his best.


Mohan Lal as the arrogant, almost megalomaniac, super-intelligent but on the verge of becoming a hopeless alcoholic Raghunandan is just fantastic. He strolls through the movie with one brilliant scene after another. Raghu plays the anchor or the master of a TV show called "Show the Spirit". He instills fear in the minds of the people who are supposed to grace the show. Many of those often leave in disgrace like the Minister Muralikrishnan played by Suraj Venjaramoodu. Thanks Ranjith, for showing us that Suraj is not as bad an actor as most of his directors have shown him so far.


Raghu is totally unrepentant about his failed marriage and his alcohol dependence and his brawls with people under the influence of alcohol. His divorced wife [Kaniha is brilliant as as Meera] is married to his best friend Alexy [Shankar Ramakrishnan in a superb portrayal of a good friend, better husband, great father and a magnificent human being] and Raghu still retains good friendship with both of them even though he ends up spoiling their party very often.


Madhu as the fun-loving retired army-man and Thilakan as one of those unknown alcoholics are good. Nandalal has perhaps essayed the role of his lifetime as the hopelessly alcoholic Plumber Manian. Tiny Tom is very efficient as the bartender. Sidharth Bharathan as the brilliant but eccentric poet Sameer has done well. Lena as the honest police officer has done well too.. 


Technically the movie is as good as any of Ranjith's movies. Revolving around the intellectual and literary world of Kerala and the influence of the 'Spirit' over the intelligentsia as well as the masses, the movie tries to spread a message.


Lyricist Rafeeq Ahmed has come out with nice songs tuned well by Shahbaz Aman. Back ground music too is easy on the ears. Editing and camera work are up to date. 


Overall it is a very good and "Spirited" effort by Ranjith and Team and is laudable though the end comes across as a little too simplistic. But this effort should be appreciated for taking a look at that side of Kerala which we gloss over with jokes. There is truth in Raghunandan's words, "You all know a Manian between you. If not, perhaps YOU are Manian" !


My word: Must watch !

Cobra: A Remixed Rat-Snake !

What does a master chef do when he is bored and has run out of ideas but still has to serve something for a customary festival feast ? Take out his own old dishes from the fridge, churn them in a mixer, add some spices and create a remix and serve as an instant dish. Director Lal who has given us some unforgettable movies in the past including the "Harihar Nagar series", does exactly the same.

But those who have grown up on his delicious old dishes realize immediately that this is a rehash and feel cheated and might even feel nausea. From "Ramji Rao Speaking" to "God-father" through the Harihar Nagar series, Lal [earlier with Director Siddique] had served up deliciously funny comic capers.

Those were movies with infinite repeat value are still cherished even by subsequent generation of Malayalees. So imagine the kind of expectation one would walk into the hall with, when Lal combines with Mammootty ! After over 150 minutes of the movie, I had one word to explain; Repulsive !

Borrowing generously from "Thenkasi Pattanam", "Annan Thambi", Thommanum Makkalum" and many such movies, Lal conjures up what was meant to be a Vishu bonanza. But for evoking extremely rare guffaws, the movie is a total let down.

Mammootty [the sag showing around the jaws], Lal [trying Sreenivasan brand of self-deprecation with little success], Lalu Alex [louder than his usual loud self] and Babu Antony [hardly looking like a villain and more like a real-estate broker] go through the motions.

Maniyan Pilla Raju and Salim Kumar manage to do what Suraj Venjaramoodu has managed to do over the past 2 years; Get on your nerves ! They do it with aplomb. Padmapriya must be having some financial problems, else it is difficult to imagine her doing this movie. A swollen Kaniha looks sullen and worried as if she has left her hungry child at home.

One who imagined a fitness cum martial arts center inside a hospital building deserves to be punched black and blue and then treated in the same hospital. I doubt if they had a story when they planned the movie. The script is not even quarter-baked. The 'Director' Lal seems to have been really distracted by the 'Actor' Lal and thus both fail to show up. Back ground music is sick and the music can safely be branded as noise. Technically the movie is below average. Long drawn fight sequences manage to give the viewers more headaches.

Two brothers yearning to marry two sisters to retain the sanctity of their relationship and camaraderie could have been a wonderful premise to work on for Lal. "Cobra" a popular acronym for "Co-Brothers" should have been or could have been a fun-fest but turns out to be yawn-fest.

One positive about the movie: Suraj Venjaramoodu, a Mammootty movies regular does a great favor by not being a part of this movie. Small mercies !

My opinion: A Remixed Rat-snake - STAY OFF !

22 Female Kottayam

Malayalam movie world is now undergoing a transformation in the hands of a bunch of new people and Ashiq Abu is one among them. After his Salt N Pepper, his directorial venture is 22 Female Kottayam. The name itself had something which urged me to watch this movie. The cast include Rima Kallingal, Fahad Fazil, Prathap Pothan, Sattar,  and TG Ravi among others. The movie makes us leave the theater with a wounded bleeding conscience and a tight slap on our pseudoegos.

Tessa K Abraham(Rima )is one of thousands of nurses working in Bengaluru. She like any other ladies from Kottayam, a town in Kerala where each household boasts of at least 1 NRI nurse, desires to go abroad. Though her friends make use of a wealthy businessman by the name DK (Sattar) by giving earthly pleasures and in turn taking back money and other favors, she decides to stay away from such things. She meets Cyril (Fahad Fazil) working with a Visa Consultancy and he gets her a visa for Canada. As a return gift she offers him treat, and then one thing leads to another and soon she moves to stay with him. Hegde (Prathap Pothan) a wealthy business man who had met Tessa earlier and a friend of Cyril, now frequents Cyril and Tessa's place on pretext of eating good Kerala food. One night after an altercation in a pub, Cyril goes missing and Hegde comes with message Cyril had altercated with some local party people and so has gone into exile for 2 days and to her shock Hegde asks her to have sex with him. A brutal rape follows, never has been in a Malayalam movie, a rape so painfully depicted. It leave us with a bleeding soul, and poor Tessa with broken skull and fingers, with bruises all over. But she decides to forget everything and start afresh. But weeks later the same thing is repeated and we feel nauseous. This leaves Tessa shattered and she decides to fight back. Cyril who is joined with Hegde and actually had taken money from Hedge for Tessa, helps in getting rid of her by placing drugs in her bag. Only when being carried away by police, she comes to know that Cyril was in the plot against her. In jail Tessa was initially feeble but later on decides to take revenge. With the help of an inmate Subaida, she comes out and Subaida arranges help for Tessa through her friend Dinesh. It is the same Dk and he tells Tessa nothing comes free. The advice given by Subaida is the strongest weapon a women has is her weakness, and to use it wisely, rest of the movie deals with revenge.

Every actor has done their part quite well, not much cast but each did their part really really well. Rima as an innocent nurse, Cyril seductor, still naive looking, Hegde the innocent way he asks can I have sex with you, coolly, DK who never wants his female partners to regret the pleasure he gets..Not a feminist movie but surely will leave us think with guilty consciousness, how we treat a rape victim, how the sexual harassers walk free in the society, overall a different experience.

Choodo Kal ki Baatein

We are obsessed with aiming for the sky, setting goals, achieving them, setting higher ones………….a vicious circle of desire and achievement encloses the mind and leads to a tunnel vision where sight is fixed only at the other end, …..caught in such a web of desire and achievement is the lead character of this movie Chodo Kal ki Batein (CKKB) Aditya Pradhan (AP) played by Sachin Khedakar.  I loved the concept of this movie, although I don’t know whether it has been lifted from somewhere. 

AP is a very successful and hard working professional, who wins a career boosting 20 crore contract for his company on Saturday at the expense of missing his daughter’s Arangetram.  Come Monday, and his dreams will be realized by signing on the contract, but there lies the problem.........Monday is not coming!  His Sunday keeps on repeating and he is the only one who realizes this.  The situation is funny and thought provoking at the same time and then there is this mysterious man wearing dark glasses (Anupam Kher) who keeps appearing in front of AP. 

The message of the movie is very good, although I felt it was a little cliched towards the end.  Nevertheless a movie to be watched by all the hardworking guys n gals…………

Ben-Hur

Ben-Hur, narrates two tales at a time. One of Jesus of Nazareth and the other of Judah Ben-Hur. I still remember my uncle narrating some scenes from the movie. He was nostalgic and was sure that those where the days of great movies. I never got a chance to watch Ben-Hur and even when I got I was put down by the length of the movie and the oldness. But today after seeing it, I have to admit, there is a magic to the movie. The atmosphere, the scenes, the characters, the set... they are breathtaking and admirable.

The movie focuses on Judah and his journey to seek revenge. A revenge to his friend for betraying him and his family by putting them in prison without any proper cause.

The story is very moving and touching. It shows the journey of Judah from imprisonment to freedom to riches to the famous chariot race and to the end where he recognizes and realizes about Jesus. It also portrays the tension between the Jews and the Roman empire.

Even though Jesus is not the focus of the movie, the director doesn't fail to keep the viewers aware of his presence. Once he is shown helping Judah by providing him with water on his way to the gallows.

This movie has great characters and roles that one can look up to, and admire.

It is a long movie, but I have to add, it is a great watch.

More information and review at IMDB

Ordinary: Better than Ordinary !

A wannabe Minister lands up as a bus conductor in a remote yet beautiful village Gavi, in high ranges of Kerala. He has the company of a big built and bigger talking driver and a motley bunch of villagers including the Gavi Girl.

The driver with a Palakkad accent and uncanny ability to flirt and the politically conscious conductor strike a nice friendship. Soon they get involved in the day to day life of the small hill-town Gavi. How the duo get embroiled in a complicated accident case and how they handle the situation forms the crux of the story.

Scripted and directed by Nishad K Koya and Sugeeth respectively, "Ordinary" is a fun ride through most of first half and then goes grim. Biju Menon as driver Suku and Kunchacko Boban as conductor Iravikuttan Pillai strike a fine balance.

The main hero of the movie definitely is the dialogue writer. Some superb, crisp and everyday life dialogues pop up throughout the first half like those beautiful water falls along the way we travel in the movie. Biju Menon springs in a fantastic performance and does total justice to the role as well as the dialogues. Kunchacko Boban is affable, efficient and good.

New face Sritha Sreenivas as Kalyani, the Gavi Girl looks like a Nepali and it appears as if she has a long way to reach Kerala. Ann Augustine and Jishnu have very little to do. Lalu Alex is as good as he always has been. Baburaj has attained some kind of star-status post Salt & Pepper. He is there in the movie solely to evoke a few laughs and nothing else. But his drunk act is good and doesn't jar. Asif Ali overacts to the level of getting almost obnoxious. There are many small time characters who are quite efficient. Salim Kumar needs to come out of the award hangover. 

The writer / director duo get confused in the second half and load elements of heroism into the conductor's character and then the movie takes a real ordinary route and meanders to a climax that disappoints. How come the Police or the KSRTC or the omnipresent and omnipotent unions aren't brought into the picture in a politically charged Kerala remains a mystery.

Completely unnecessary songs act like 'Tyre punctures' during the journey. The drive gets really rocky when the two protagonists go on investigating the case themselves and bring justice at the end. Sethuramayyar would have been proud of the investigative brilliance shown by Iravi. A murder mystery and investigative thriller, this movie is not. That part could have been handled better. 

There are a lot of things that are ordinary in the movie. But this being a first time effort from the director, the movie has a lot of good things and we must appreciate and encourage such attempts. The place Gavi, the photography, the humor, the dialogues and Biju Menon are definitely extraordinary and make it worth our time and money. 

My opinion: Definitely worth a watch !

Agent Vinod

A nuclear bomb which can be activated by Ummar Khyyam's Rubiyyat has been acquired by a terrorist group who are planning to detonate it in New Delhi and thereby triggering a nuclear war between India and Pakistan. The plan is intercepted by a RAW agent, who is killed before he can pass on the full information, which brings Agent Vinod on this case.  You will get all that is expected of a spy movie with bomb blasts, shooting, guns going bam bam, lots of running, bike chase, auto chase, everything.  Movie has a fast pace, so it will keep you engaged.  Saif has done a good job as an action hero, he has spotted a stubble (more than a stubble) throughout the movie perhaps in an attempt to look macho.  Kareena looks great.  Prem Chopra, Gulshan Grover, Shahbaz Khan are the other baddies.  The only spoiler in my case was a guy sitting beside me who kept on saying "yeh bakwas movie hai" to his girl friend.  I wonder what more he was expecting in a movie named Agent Vinod.