Kai Po Che [Brothers for Life]: Makes the 'Cut' !

I always believed "Dil Chahta Hai" was a Cult Classic and it gave us a new genre of movies about friendship and male bonding. Many movies have come since but only "3 Idiots" and "Zindagi Naa Milegi Dobaara" made it to the list of my all time favorites. Having Chetan Bhagat minus the "3 Idiots" controversy meant "Kai Po Che" was a must watch even before I had read reviews. It did prove a worthy successor to the illustrious movies mentioned.

"Kai Po Che" means "I have Cut" in Gujarati and that is a popular expression used during the iconic 'kite game' that is famous in the state and beyond. The movie deals with male bonding, ambition and lack of it, religious tensions and love with a precocious lead girl.

"Kai Po Che" tells the story of Ishaan Patel [Sushant Singh Rajput], Omi aka Omkar Shastri [Amit Sadh] and Govind [Rajkumar Yadav]. The story as we all know is based on Chetan Bhagat's "The 3 Mistakes of My Life" and the script is credited to Bhagat, Pubali Chaudhuri, Supratik Sen and Director Abhishek Kapoor of "Rock On" fame, another male bonding movie that will be remembered for long.

The 3 lead actors bring alive the friendship, affection, anger, anguish and then repentance alive through the 127 minutes of running time. Digvijay Deshmukh as the super talented six hitting "Ali" steals the show with an amazing performance. Amrita Puri as Vidya, Ishaan's sister and Govind's beau is cute and bold. She looks the teenager she is supposed to be when she is actually close to 30. Rest of the cast is absolutely perfect including Manav Kaul as the menacing Bittu Mama.

The movie chronicles the Gujarat earth quake and then the Godhra and Gujarat riots and how it affects the lives of the 3 protagonists with Cricket playing the fourth protagonist. Authentic chronicling of Cricket events and using Ishaan's passion to nurture Ali at any cost, the movie never allows for a moment of boredom.

Be it the earth quake or the riots, "Kai Po Che" doesn't become judgmental or go over the top like some movies like "Parzania" did. It just becomes part of the narrative and we are thankfully spared from any kind of preaching.  The climax is both feel good as well as touching with some kind of poetic justice meted out to both "Ali" and his mentor "Ishaan" !

Amit Trivedi's music and Anay Goswami's cinematography is top-notch. The lighting has been used to absolutely fantastic effect. Deepa Bhatia's editing is razor sharp, especially the Cricket scenes. The cover drive shown in the climax is an absolute delight and shows the hard work of the team to attain perfection.

My Opinion: Definitely a worthy successor to the iconic movies like "Dil Chahta Hai", "3 Idiots" and "ZNMD". Go for it if you already haven't !

Zindagi Na MIlegi Dobara

Even before Zoya Akhtar began this movie, I have believed in the title of this movie. My only concern was how will she make a movie with this title. I must say I returned happy.

Zoya, the Director derives a lot from her brother's iconic movie 'Dil Chahta Hai' here. There are 3 bosom buddies, Kabeer [Abhay Deol], Arjun [Hritik Roshan] and Imraan [Farhan Akhtar]. There is male bonding. There is misunderstanding between two of them. There is the middle of the path friend who brings the estranged friends together. There is a girl full of life and love. There is a tour and a lot of masti. And there is realization about life and love at the end and the truth that you only live once.

The three friends on a holiday meet one another and then themselves in the process. One ends up breaking his engagement. Another realizes money isn't everything in life if you are not living today. The third decides to open up to the world with his poetry.

Though this one doesn't scale the same heights as DCH, ZNMD does leave you contented and feeling warm. Abhay Deol and Farhar Akhtar get equal billing with Hritik. Each one gets a chance to foist upon the other two, his idea of adventure during a bachelor's holiday in Spain.

Each adventure brings one of the boys face to face with what they really want. For Arjun, it is love. His love for the simple, lovable and vivacious deep sea diving instructor Laila [Katrina Kaif]. For Imraan, it is his own inner angst against his biological father [Salim, played with dignity by Naseeruddin Shah] and his final triumph over the fear of taking the jump. Kabeer, forced by family commitments finally decides to take the bull by the horn to call off a forced engagement with Natasha [Kalki Koechlin].

The dialogues are simple and are straight out of real life. Reema Kagti who directed the delicious "Honeymoon Travels Pvt Ltd" has joined hands with Zoya in weaving a smooth screen play and endowed it with fabulous dialogues. If the movie is a tad slow, that is because it is happening almost in real time. There are narrated flash-backs but no fast forwards. Javed Akhtar's poems credited to Imraan in the movie add to the impact.

Songs are nice and music easy on the ears without being memorable like DCH. Technically ZNMD is a contemporary movie and is up to date. It did not make me go ROTFL. There are some LOL moments but mostly it kept me smiling.

All actors from Hritik, Farhan, Abhay, Kalki and Naseeruddin Shah to the Spanish actor Ariadna Cabrol have done fabulously. But Katrina Kaif is a revelation. She has matured into a fabulous actor. And even in minimal makeup, she looks gorgeous. Overall it is a satisfying movie experience.

In short, 'Zindagi Na Milegi Dobara' is 'Dil Chahta Hai' 10 years younger, stylized and in slow motion on beautiful Spanish Roads. This is a journey worth your time, money and most importantly intellect.

My verdict: Haven't you watched it yet ? Must be kidding !

Dil Chahta Hai : A Cult Classic !

If I have to choose one movie that redefined my taste, my priorities and my sensibilities about movies, it has to be "Dil Chahta Hai"

There are hundreds of movies that defined my taste but none became a 'Cult' like this Farhan Akhtar's Classic. I loved Amar Akbar Anthony, Sholay, Naseeb, Shankarabharanam, many of Kamal Hasan's movies, RGV's early wonders like Shiva and Kshana Kshanam and Mani Ratnam.

I first watched DCH on the eve of my 31st birthday in 2001. 'DCH' remains my most favorite movie almost a decade since it was released; in spite of '3 Idiots'. Why do I love it so much ?

It could be the nostalgia. Having shared male-bonding during Hostel life, I was missing my friends before the WWW shrunk the world forever.

It could be the 'cool quotient' of those days. For someone already into thirties, it was perhaps a way of reliving the youth or even an attempt at remaining relevant.

It could be the music, the beautiful Preity Zinta or the Aamir Khan factor. But overall, it remains a 'Cult Classic' for me and many of my friends. 

Let me take a look at DCH, ten years since I first fell in love with and a month since I watched it for the umpteenth time. I watch the DVD whenever I feel a little low. Never felt bored and every time, I have found something new in the movie. That is Dil Chahta Hai for me.

Instead of taking a look at the story and the movie, let me do my analysis based on characters. Most of us know the story anyway.

This movie has been reviewed by many an eminent people. Don't know if anyone has done what I am trying to do. Whatever I express here are my own views. If anyone else has done a similar exercise, I am completely ignorant about it. So here we go...

I don't know if Farhan Akhtar had thought about it or if it was all designed. But almost all his main characters had names that appear symbolic. Especially his main protagonists.

Aakash: First of the 3 main protagonists this character was played by Aamir Khan with elan. Aakash stands for 'Sky'. This exactly defines the character. He is vast. He is intelligent and he is irreverent. Not believing in love and practically a Casanova, he symbolizes the Sky. 

He doesn't know himself. He doesn't know what he wants. And finally falls in love with a girl engaged to someone else. As his friend Sameer describes, "Whole life he kept denouncing love and then fell in love with a girl and confessed his love in someone else' wedding. For "Aakash" the Sky is the limit when it comes to life.

Sameer: Saif Ali Khan rose from mediocrity to Stardom with this movie. 'Sameer' is 'Water'. Pure and simple, but simply unpredictable. Water has no shape. You pour it into a vessel, it takes the shape of that vessel. Sameer takes the shape according to the company he is in. 

He thinks he is in love with every girl he sees; be it Priya, Pooja or Phoolan. He will trust whatever his friends say and do what they say. In short, he can flow like water when left alone, but put him in a vessel and he will look like the vessel. Even when polluted by impurities, his core still remains clean.

Sidhant: Farhan probably couldn't have chosen his actors better. Everyone looked as if tailor-made for the given role. But casting Akshaye Khanna as Sidhant was his best. 

Sidhant stands for 'Principles'. The boy is simply too intelligent and too complex for anyone to understand him, including his own Mom and best buddies. His falling in love with a much older and divorced woman is typical of how complex Principles can be in life.

His best moment in the movie is when he tells Aakash, "Love isn't planned, it just happens. You'll know it when it happens to you. Age, place, religion or any other thing will not matter when it happens. You'll remember my words the day it happens to you". Pure Philosophical Principles !

Shalini: Preity Zinta as the girl who put her head over heart was brilliant. Shalini is 'Modest' or 'Down to Earth' or 'Unassuming' or even 'Fertile'. The kind of girl who will never hurt those who love her and will even sacrifice her own interests to make others happy. 

She doesn't know Aakash at first. Then she becomes the reason for him acquiring a black eye. Later she becomes a friend and unfailingly falls in love with the vastly unknown Aakash who doesn't know he is falling in love with this girl. To avoid hurting her care-takers, she decides to listen to her mind, that is till the climax.

Pooja: This must be the commonest name in India. Especially northern parts. Pooja is 'Worship'. She is the kind of adorable girl next door in the movie who has a soft corner for a guy named Subodh. But as the journey continues, she realizes she is more like Sameer than Subodh.

Sonali Kulkarni is the typical girl next door. As good as you get in Hindi movies. The water like quality of Sameer needs the simple unadulterated quality of Pooja rather than Priya...

Priya: Priya is 'Lover'. She is the quintessential nagging middle class girl who wants her boyfriend all for herself. May be every boy will fancy her as an arm-candy. But the man would love to have a Pooja for a wife. Priya remains forever Lover, plain and simple. Suchitra Pillai was very effective as the nag. 

Tara: Tara is a 'Star'. Dimple Kapadia as Tara has an 'Aura' about her. Ravishingly beautiful and down to earth but has a faraway quality that separates her from the girls. She so fascinates the young Philosopher Sid, he turns into a starry eyed boy aiming for the Star.

Tara also has an unknown element to her. She is broken and is addicted to alcohol which is destroying her gradually. 'Toota Tara' or a 'Broken Star', she is the celestial sphere ready to explode all the while looking ethereal. There is tragedy even in her smile.

Deepa: There is darkness at the bottom of a 'Lamp'. Samantha Treymane as Deepa is the cheerful girl who emits light. She is in love with the vastness of Aakash. But he finds her uninteresting. The sky has too much of light. That is life. 

The Philosopher Sidhant tells her, "As much as you try to hold on to the sand particles in your clenched fist, it slips off from your grip. Let it free, if it belongs to you, it comes back. It isn't yours if it doesn't". Deepa fades off like all lamps do.

Rohit: Means 'Red Colored First Rays of Sun'. Also believed to be a 'Male Child one who brings growth and prosperity in the family'. This arrogant yet insecure character was played by Ayub Khan with gusto. 

The proud son of a business family believes Shalini is his right. He gives Aakash a black eye for messing with his girl. But the movie ends with him getting one back.

Subodh: 'Sound Advice' or 'Good Lesson'. A man who does everything according to 'Timetable' and is almost too good to be true. Azad Dadarkar was too good in this limited role. 

Pooja, the girl next door likes him, but doesn't know if that is love. He can be great but can he be boring ? May be even the girl next door in today's world prefers the vibrant Sameer [Water or anything that flows] over stagnating Subodh [Sound Advice]. A 'Good Lesson' to all boys !

All other supporting characters have done justice in a movie with beautiful photography and fabulous music by Shankar - Ehsan - Loy.

Overall, this is a fabulous movie experience for anyone who loves Cinema. Those who agree with me, kindly leave your opinions. Those who haven't watched this yet, go for the DVD today. It is worth. Those who don't agree with me, don't even try to convince me.